The number of different stitch patterns on the most elaborate Crazy quilts is staggering - sometimes in the dozens. While piecing and appliqué took a great deal of time, the embroidery certainly took the longest to complete. Harper’s Bazaar estimated in 1884 that a full-size Crazy quilt might take 1,500 hours to complete!
Images of actual fairies are rare, but on a Crazy quilt you’ll find many winged creatures associated with the fairy kingdom, including dragonflies, hummingbirds, owls, and butterflies. Fairy tale and nursery rhyme imagery is common, as are depictions of the popular Kate Greenaway children’s books illustrations.
Another component of the fairyland aesthetic is Asian-influenced imagery. Look for embroidered motifs referencing a romanticized Orient: images of fans, kimono-clad figures, pagodas, and exotic birds; these seemed sensuous, dreamy and far-away, like fairyland.
Manufacturers were happy to cater to makers of Crazy quilts. They supplied heat-transfer patterns for embroidery, pre-made embroidery decals, lithographed patches, “cheater” (pre-printed) cloth, as well as the spangles, shells, beads, and tassels that women liked to incorporate into their Crazy quilts.
In the late 1800s, naturally lightweight silk fabrics were often “weighted” with metallic salts to give them more body. These corrosive metals have damaged fabrics over the years, evidence of which is frequently seen in Crazy quilts. That is why so many of the quilts in this exhibition are displayed flat or supported at an angle.