Past

January 19, 2018 to May 13, 2018

As a collector, I'm looking for something that reflects my country back at me. Quilts rearrange my molecules when I look at them. There's an enormous satisfaction in having them close by. I'm not a materialist. There are too many things in the world, and we know that the best things in life aren't things. Yet there are a few things that remind me of the bigger picture.

We live in a rational world. One and one always equals two. That's okay, but we actually want—in our faith, in our families, in our friendships, in our love, in our art—for one and one to equal three.

December 11, 2018 to April 7, 2019

Students in Professor David Newton’s Fall, 2018 junior design studio considered the role of museums in the 21st century. Are they community centers? Cathedrals for contemplation and communion with objects? What are the benefits—and challenges—of collections-based institutions? What role should technology play in the museum experience?

November 20, 2018 to March 31, 2019

The European Patchwork Meeting convenes every year in Ste-Marie-aux-Mines, in northeastern France, to celebrate the art of quilting. Bordered by Germany and Switzerland, the Alsace region was the birthplace of the Amish movement. In 1693, the followers of Jakob Ammann broke off from their
fellow Anabaptists, and in the early 1900s, many Amish immigrated to Pennsylvania. Today, the Amish are strongly associated with their quilts, which are famous for their bold colors, simple geometry, and fine needlework.

November 2, 2018 to March 10, 2019

In 1997, I was a master’s student at Indiana University. I had just completed and submitted my application for the University of Nebraska-Lincoln’s  doctorate program in Textiles, Clothing and Design. My goal was to study quilts with Professor Patricia Crews, a professor doing groundbreaking research in textile history. I wasn’t sure what career path that would lead to,  I was only thinking one step at a time. 

November 2, 2018 to November 4, 2018

Power, Passion, and Politics was curated by six high school students from Lincoln Public School’s Arts and Humanities Focus Program. Each member of the Politics and Government class, taught by John Clark, selected a politically- or socially-themed quilt from the permanent collection of the International Quilt Study Center & Museum. Students were able to engage with the quilts in person before writing their labels. Each student composed text contextualizing and explaining the importance of the quilt they selected.

September 20, 2018 to February 5, 2019

Today, quilt collectors and aficionados know the bright, yellow-orange fabrics that were staples of late nineteenth-century quilts as “cheddar.” The color became especially prevalent in the parts of the United States that were settled by German immigrants: southeastern Pennsylvania, Virginia, North Carolina, and South Carolina. 

August 1, 2018 to November 14, 2018

Arts and Humanities is one of Lincoln Public School’s five focus programs. Inspired by their October 2017 visit to the International Quilt Study Center & Museum—and especially by “The Haunting of Quilt House,” a Halloween pop-up exhibit—students from Arts and Humanities went on to create a “quilt” made from individual paper collages.

August 21, 2018 to December 8, 2018

During the decades following World War II (1941-45), the United States launched space ships, built modern suburbs, emerged as an industrial giant, and looked toward even greater accomplishments in the future. But as 1976 and the Bicentennial approached, the American people also regained an interest in their personal and collective national heritage. A revived popular interest in quiltmaking and its historical roots were manifestations of this nostalgia.

May 4, 2018 to August 30, 2018
October 14, 2016 to May 25, 2017

British artist Pauline Burbidge creates rich depictions of nature through her mastery of textiles. Her pieces express both distant horizons and intimate details of nature that inspire a sense of spirituality and connection she feels deeply.

“(My) work is made by the fusing together of textiles and the natural world and the combining of elements so that you can hardly see the difference… the landscape is in the room with you.”

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