Now Showing

September 20, 2018 to February 17, 2019

Today, quilt collectors and aficionados know the bright, yellow-orange fabrics that were staples of late nineteenth-century quilts as “cheddar.” The color became especially prevalent in the parts of the United States that were settled by German immigrants: southeastern Pennsylvania, Virginia, North Carolina, and South Carolina. 

August 1, 2018 to November 14, 2018

Arts and Humanities is one of Lincoln Public School’s five focus programs. Inspired by their October 2017 visit to the International Quilt Study Center & Museum—and especially by “The Haunting of Quilt House,” a Halloween pop-up exhibit—students from Arts and Humanities went on to create a “quilt” made from individual paper collages.

August 21, 2018 to December 8, 2018

During the decades following World War II (1941-45), the United States launched space ships, built modern suburbs, emerged as an industrial giant, and looked toward even greater accomplishments in the future. But as 1976 and the Bicentennial approached, the American people also regained an interest in their personal and collective national heritage. A revived popular interest in quiltmaking and its historical roots were manifestations of this nostalgia.

October 5, 2018 to February 3, 2019

"I am not a collector. I am a treasure hunter. A collector always wants to better a collection. I buy only what I like and for no other reason. Quilts look better when you have a lot of them."

September 7, 2018 to January 10, 2019

Mark Dunn, president and owner of Moda Fabrics, began his career in Asheville, North Carolina, in 1966 as a third-generation thread and yarn sales representative. In 1985, he received the “Man of the Year” award for the sewing industry from the American Jewish Committee. Dunn attended the University of South Carolina but has lived in Dallas, Texas for the past 33 years. His love for the quilting industry plays out in his personal life as well as in business.

August 29, 2018 to December 15, 2018

Laura Petrovich-Cheney processes events that wear down spirits and materials. Like the passage of time itself, natural disasters remind us of our vulnerability and the inevitability of loss. Petrovich-Cheney crystallizes and commemorates the collective trauma of natural disasters like Hurricane Sandy in New York and New Jersey, and the fires in Gatlinburg, Tennessee. In the aftermath of upheaval, she collects wooden debris: two-by-fours, strips of molding and trim, bits and pieces of boards that were once boxes or signs for family businesses, familiar brands, local institutions.

July 6, 2018 to November 15, 2018

In 1941 Martha Ann Glenn was named Iowa’s Healthiest Girl Baby. Fanfare surrounded the prize, generating newspaper stories, congratulations from far-flung friends and relatives, and endorsement opportunities for Quaker Oats, Colonial Bread, and Meadow Gold Butter. Over the years, the line between memorabilia and actual memory grew fuzzy. Growing up amid the stories and images of herself as a champion, Martha thought of herself as fundamentally robust and resilient. She was always confident in her wherewithal to succeed. 

June 15, 2018 to October 28, 2018

This collection of quilts and folk objects evokes the atmosphere of the south of France. Provençal needlewomen imbued their solid-color, wholecloth quilts with the light and abundance of their landscape. Inspired by the natural world and equipped with a vocabulary of ornamental motifs, they pulled miles of thread through layers of silk, cotton, and thick batting to create surface plays of light and shadow. Small items made of other materials—clay, metal, and wood—exhibit similar attention to the interplay of form and surface.

Subscribe to RSS - Now Showing